Tim Paris

Direct-to-fan

In the music industry, direct-to-fan is the equivalent of short circuit in food. It's like buying fruits and vegetables directly from the producer.

Like the short food circuit, the direct-to-fan purchase guarantees fairer remuneration for artists and labels (about 75% of a direct-to-fan sale goes to the producer), allowing them to sustain the development of their artistic projects.

The number of intermediaries is reduced to a minimum and transport costs, as well as the associated CO2 emissions, are optimized.

This new direct sales channel also makes it possible to fill cultural deserts and to receive your disc on the day of its official release thanks to pre-orders.

In summary, as soon as the Direct-to-fan tag appears, it means that we are the only intermediary between the artists / labels and yourself.

Tim Paris

After building up a dj reputation in parisian underground circles, doing parties with Jef K, Chloé, Alexkid and Ivan Smagghe, Tim Paris teamed up with Jef K to help him develop the now infamous Crack & Speed label. Working the dancefloor but also developing his skills in the studio, Tim Paris had his first breakthrough with the remix of a rock tune called “Future Now” that have been picked up by Ralph Lawson’s 2020 Vision label and became one of the biggest underground tune of 2004. From there Tim Paris didn’t stop and continued to release quality tracks and remixes that are praised by the most discerning djs. Now based in London, Tim Paris started in 2005 his own label Marketing Music while producing music as a solo artist, with Pete Herbert as Challenge and Ivan Smagghe as It’s A Fine Line.

Label

Ekleroshock Records
16

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