The Hub

Direct-to-fan

In the music industry, direct-to-fan is the equivalent of short circuit in food. It's like buying fruits and vegetables directly from the producer.

Like the short food circuit, the direct-to-fan purchase guarantees fairer remuneration for artists and labels (about 75% of a direct-to-fan sale goes to the producer), allowing them to sustain the development of their artistic projects.

The number of intermediaries is reduced to a minimum and transport costs, as well as the associated CO2 emissions, are optimized.

This new direct sales channel also makes it possible to fill cultural deserts and to receive your disc on the day of its official release thanks to pre-orders.

In summary, as soon as the Direct-to-fan tag appears, it means that we are the only intermediary between the artists / labels and yourself.

The Hub

Electronic musicians , , Scot Gresham-Lancaster, , and Phil Stone are the Hub -- a band via their computer network of the same name which grew out of an earlier project of Bischoff's. The first computer network band, the League of Automatic Music Composers, was founded in the late '70s by Bischoff, , and Rich Gold. Their system didn't work as well when more musicians were connected, and changes to remedy this eventually led to the Hub. The group has been performing and recording since the mid-'80s and have several albums on the Artifact label; they have collaborated with and , as heard on two cuts on Wreckin' Ball. ~ Joslyn Layne, Rovi

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