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Led by the magnetic vocalist Páula, with production from Povoa (individually supported by Four Tet, Ben UFO, and Barry Can't Swim, with recent releases on Live From Earth), the duo operates in maximalist mode: playful, sensual, and slightly unhinged.PPJ’s new era, JOKER, embraces a figure that appears everywhere from card decks to carnival culture as a symbol that mirrors their own DNA: funny, eerie, seductive, unpredictable. The EP leans further into club territory, but rather than polishing their edges, PPJ amplify them. At the emotional core of the record sits “Coeur,” co-produced with Chloé Caillet. It begins with an MPB-tinged foundation flirting with bossa nova. It’s unmistakably Brazilian, bathed in sunset hues before being sped up and twisted into a dance-floor-ready electronic form. The groove shimmers with tension: warm percussion, elastic basslines, and Páula’s voice hovering between intimacy and tease. It feels like a remix of itself, romantic, but slightly untrustworthy. If “Coeur” glows, “To Nem Ai” is a slow burner. A very deep and downtempo house cut, it unfolds slowly, almost luxuriously, guided by sensual vocals that feel whispered directly into the ear of the listener. A hypnotizing piano sample that feels like a late-night confession. It’s the kind of record that transforms a dancefloor into something tactile. Elsewhere, “Me Pega” is a high-energy reinterpretation of the tech-house sounds from Santa Catarina, one of southern Brazil’s most feverish party states, twisted and accelerated for ferocious impact. Drawing direct inspiration from Sarro, a raw and vibrant Brazilian street dance, the track captures physical intensity in its purest form: sweat, bass pressure, collective release. Its counterpart, “Tem Carnaval” channels Páula’s vivid storytelling into a thunderous ode to Rio’s carnival spirit, euphoric, chaotic, cinematic landed just in time for this year’s celebrations. On “Sexy Doce,” rugged electroclash melodies collide with unexpected references. “It was inspired by Budots, which is dance music from the streets in the Philippines,” Povoa explains. “Then we mixed it with Páula’s Brazilian vocals. Baile funk is similarly from the streets, so there is a connection.” The result is raw yet futuristic, a cross-continental flirtation that feels both underground and explosive. With this new EP, PPJ make music like they’re tuning into a dozen pirate frequencies at once. Pirate radio from Rio to Berlin to Manila intercepting fragments of street culture, sensuality, and chaos, and stitching them into something deliriously cohesive. JOKER doesn’t just nod to club culture. 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It’s also his most accessible: inspired by American stand-up comedy, Funny How? sounds like a joyful mix of all the music that inspires the artist: soul, jazz, rap, musicals…\u003cbr\u003e\u0026nbsp;\u003cbr\u003eThus, throughout the album, major stand-up figures like Dave Chappelle, Marina Franklin, Dulcé Sloan, and Tiny Thickemz appear alongside emerging comedians filmed in more intimate comedy clubs, composing a moving portrait of the new American scene. Drawing on archival footage and sequences shot for the project in New York and Chicago, and true to his principle of harmonizing reality, he reveals its hidden notes, replaying and developing them throughout a fascinating process. The result is a major work, a choral, political, and deeply musical narrative.\u003cbr\u003e\u0026nbsp;\u003cbr\u003eIn concert, the work unfolds majestically through a hybrid performance where music and images respond to and converse with one another. 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Together, they bring melodic and acoustic richness, as well as a collective generosity that deepens the album’s intimacy.\u003c\/p\u003e\n\u003cp\u003eThis new album also opens the door to new collaborations.\u003c\/p\u003e\n\u003cp\u003eOn L’école primaire, Chilly Gonzales joins Sheldon for an unconventional piano and vocals piece, driven by cinematic, deeply intimate storytelling. Using his primary school as a point of reference, Sheldon retraces his path from childhood to adulthood, somewhere between nostalgia and serenity.\u003c\/p\u003e\n\u003cp\u003eOn Cowgirl, Tuerie joins Sheldon for a soft, melodic ballad with an 80s tint, capturing the weightlessness of a sunlit summer.\u003c\/p\u003e\n\u003cp\u003eOn Sidequest, Sheldon reunites with Asfar Shamsi, who had already appeared on his Grünt. 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By opening a small window onto his intimacy, and that of the people closest to him, Sheldon finds a way to say a great deal with very little, turning deeply personal trajectories into something universal.\u003c\/p\u003e\n\u003cp\u003eLike the music videos, the album cover is rooted in a deliberately simple approach, where the fantasy of childhood disrupts reality. Designed by Tenzin, the graphic designer behind Sheldon’s recent projects, Ptite Sœur, and also work for Jul, it is based on an archival photograph taken during a traditional carnival in Tenzin’s native village. With no staging involved, the image captures children in costume mid parade, caught in a spontaneous burst of movement, embodying the free innocence of childhood.\u003c\/p\u003e\n\u003cp\u003eLes Monstres marks a new chapter in Sheldon’s journey. 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In recent years, he has continued to explore rap and contemporary music, notably through his acclaimed session for Grünt, his Rap de Chambre project – a concert created for Radio France’s Hyper Weekend Festival 2025, where he brought together a new generation of artists with chamber musicians (which notably made Theodora’s hit “Ils me rient tous au nez” by Theodora), and his numerous recent collaborations as a pianist and quasi-producer alongside rappers such as Souffrance, Zinée and Georgio.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eAlongside him, Di-Meh has established himself as a leading figure on the brilliant Swiss rap scene, alongside artists such as Makala, Slimka and Mairo. An artist with a rare stage presence, he is renowned for his boundless energy, his freedom and his ability to get any audience he performs for absolutely buzzing. A long-time fan of Di-Meh, Chilly Gonzales invited him to join him on stage during a concert in Geneva for an improvised track. The chemistry was instant. The two artists decided to extend the experience into the studio, giving rise to a first track, then a joint five-track EP where the piano engages in dialogue with the most accomplished flows of contemporary rap, balancing mastery of the fundamentals with the exploration of new territories.\u003c\/p\u003e\n\u003cp\u003eFar from a simple piano-and-vocals project, this is a true collaboration: Gonzo isn’t just behind his piano; he also steps in as an MC, entertainer and driving force on stage. The piano becomes rhythmic, hypnotic, sometimes unexpected, whilst the two artists play with the conventions of rap and live performance. Combining raw energy, dreamy moments and touches of whimsy, Chaupard \u0026amp; Chopin offers a unique experience.\u003c\/p\u003e\n\u003cp\u003eThe name of the project itself embodies this encounter: Chaupard is an affectionate nickname given to Di-Meh by his mother, who had renamed him “Paco Chaupard”, a tender twist on the name 2Pac Shakur. The reference to Chopin, one of the greatest composers of the Romantic period, stands out as a major source of inspiration for Chilly Gonzales, whose spirit he carries forward as a true modern-day Chopin.\u003c\/p\u003e\n\u003cp\u003eThe project brings together two artists who engage in a dialogue, responding to and challenging one another to create a free and unpredictable musical universe, still unseen in the French-speaking rap scene. 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