{"title":"label : Infiné","description":"\u003cp\u003eInFiné is an international and eclectic music label based in Paris and Berlin, founded by Alexandre Cazac and Yannick Matray, to pulse projects from all over the world with love \u0026amp; passion.\u003cbr\u003eFounded in 2006 by Alexandre Cazac and Yannick Matray, InFiné is expanding in Paris, Berlin, and across borders to meet various projects, mixing influences ranging from contemporary classic to rock, from minimalist pop to techno, via electronica, r’n’b or more traditional music. For 15 years, the label has welcomed and supported artists from all over the world such as Rone, Bruce Brubaker, Cubenx… Adventurous, resolutely independent, InFiné is a unique and committed creation platform made up of “Music Activists” who can’t stop working for diversity and innovation.\u003c\/p\u003e\n\u003cp\u003eAlongside the launch of the label, InFiné created its publishing \u0026amp; synchronization arm. InFiné Éditions exists to defend the InFiné family of composers’ publishing rights, and accompany them in whatever direction necessary for the growth and development of theirs, and InFine’s catalogue of music. Teaming up with key labels partners InFiné Éditions is the home of sync representation in France for : Bedroom Community, Innervisions, No Format, Pain Surprises, and Kwaidan.\u003c\/p\u003e","products":[{"product_id":"spanish-breakfast","title":"Spanish Breakfast","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eDebut full length from French producer\/DJ Rone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA record of simmering techno bubbles and gentle wells and releases swimming elegantly over its duration. A playful and woozy effort, Rone fills up the stereo field with widescreen synthscapes and dreamy bleeps popping from every audio crevice. In Spanish Breakfast the young Frenchman has crafted a player that is primed for hazy Spring afternoons bathed in sunshine. bleep like this alot...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklisting\u003c\/span\u003e :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1 - Intro\u003cbr\u003eA2 - Spanish Breakfast (Video Edit)\u003cbr\u003eA3 - Belleville\u003cbr\u003eA4 - Aya Ama\u003cbr\u003eA5 - Interlude In The Bed\u003cbr\u003eA6 - Poisson Pilote\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB1 - Bora Vocal\u003cbr\u003eB2 - Tasty City\u003cbr\u003eB3 - La Dame Blanche\u003cbr\u003eB4 - Outro\u003c\/span\u003e\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":40180900626517,"sku":"iF1005LPX","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Spanish_Mockup.jpg?v=1712841231"},{"product_id":"tohu-bohu","title":"Tohu Bohu","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eEver since his debut on Infine in 2008, French producer, Erwan Castex aka Rone, has pushed a more cinematic, melancholic nuance into his music. In the three years since his debut, 'Spanish Breakfast', Castex has uprooted from his Parisian base and relocated to Berlin - this move having a significant effect on the evolution of his music. Refusing to calibrate his micro-house rhythms for the Berghain dancefloor, Castex works more panoramic arrangements in to this ambitious, opulent-sounding album, 'Tohu Bohu'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe album adopts its own charm by invitation of High Priest from Anti-Pop Consortium to feature on 'Let's Go', navigating between the crystalline, electronic mood of 'Lilli... Wood' and the brooding techno of 'Fugu Kiss'. Elsewhere, the hypnotic glaze of 'Parade' and the ardent ambience of 'La Grande Ourse' provide other highlights on this accomplished body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"2LP","offer_id":40180900593749,"sku":"IF1020LP","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/a0799204576_10.jpg?v=1678721672"},{"product_id":"voodoo","title":"Vood(oo)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eVOOD(OO) is the an emblematic EP from leading French electronic producer Rone. In a similar fashion to So So So and Apache, VOOD(OO) acts as a medium between two albums, gathering a handful of exclusive and essential tracks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing collaboration with Gaspar Claus \u0026amp; Bachar Mar Khalifé.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"12inch","offer_id":40180900560981,"sku":"IF2062","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Voodoo_Mockup.jpg?v=1712841311"},{"product_id":"creatures","title":"Creatures","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe return of Rone with a brand new LP for 2015, following on from the Apache EP on InFiné Music in 2014. The label, which has already handled two of Rone's LPs, Spanish Breakfast and Tohu Bohu, will take on the forthcoming full-length. Rone has called on a diverse range of contributors, including Bryce Dessner of The National, Japanese avant-garde trumpeter Toshinori Kondo and French singer\/songwriter Etienne Daho.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":40180900528213,"sku":"IF1031LP","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Creatures_Mockup.jpg?v=1712840551"},{"product_id":"room-with-a-view","title":"Room With a View","description":"\u003cp\u003e\"Room With A View\" sees Rone returning to his musical roots and the set-up of his early albums: purely electronic, solitarily conceived without any musical collaborators. At the same time he was able to leave his comfort zone through a new kind of artistic liaison. The album was produced alongside a live show commissioned by the Théâtre du Châtelet in Paris and developed together with choreography collective (LA) HORDE and 20 dancers of the Ballet National de Marseille. This new kind of collaborative approach allowed Rone to produce his most sincere and far-reaching music in some time. Inspired by discussions of collapsologie and climate change, \"Room With A View\" offers food for thought on how to deal with one of the most pressing issues of humanity.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"2LP","offer_id":40180900495445,"sku":"iF1057LP","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/files\/RWAV-VINYL-SRD.png?v=1717142580"},{"product_id":"mirapolis-1","title":"Mirapolis","description":"\u003cp\u003eStepping into Rone’s music is like sleepwalking through a vividly colourful dream, eventually stumbling across a strange, scintillating Megapolis of saturated light and colours: Mirapolis. Its twelve tracks\/districts, each with their own specific planning, pulsate as though animated by their musical mastermind.\u003cbr\u003e\u003cbr\u003eIts streets are built atop twelve beaches battered by a moody sea, where Rone’s reveries come to foam away. That very sea was the backdrop running through the first phases of the album’s development: a first act in which we find a solitary Rone, who set out to stalk his muse through a series of beachside hotels. The musician takes on his internal meanders, with just his trusty computer, and the blessedness of surrendering to a type of ennui, a languorous state that he knew to bear fruit, as first album `Spanish Breakfast ́ (which was produced in part in a tiny attic studio perched above the roofs of Paris) bore witness.\u003cbr\u003e\u003cbr\u003eAs the tracks took shape, it was back to his Montreuil studio – his cathedral of sound and pleasure, built as a temple of collaboration with peers, and to the expression of his machines. Live performances come in tow, with the nourishment of the audience, backstage experimentation, and two major events: the collaborative project between 80 artists, led by the Dessner brothers, Bon Iver and Vincent Moon over the course of 48 hours at Berlin’s Funkhaus, and the perfect communion between himself, his friends, and a 4000-strong audience at the Philharmonie de Paris in January 2017.\u003cbr\u003e\u003cbr\u003eRemaining oneself, yet seeking constant reinvention: `Mirapolis ́ the codename for the project, was the germ for the subsequent unshackling of the imagination. That of little Erwan, coming across the Mirapolis amusement park from the car’s back seat on the way to family vacation, becoming entranced by the welcoming grin of a giant at the gate. Erwan never experienced the park itself, but the memory remained, just like his\u003cbr\u003epassion for the film Metropolis, and his dream to finally meet Michel Gondry, who wielded his magic wand over the album’s cover. A hand of three aces: childhood, Fritz Lang, and Gondry, which is completed by French science fiction writer Alain Damasio – an epistolary big brother, the Philharmonie’s Orator and chief architect of utopic cities in his iconic novel `La Zone du dehors ́.\u003cbr\u003e\u003cbr\u003eThe project was an opportunity to get reacquainted with long-time stage and studio partners John Stanier, Gaspar Claus and the Vacarme band, and Bryce Dessner (guitarist for The National,) while bringing in new collaborators (and thus, new interpretation of Rone’s dreams). We find American slam-poet Saul Williams, who\u003cbr\u003ehappened to be in Paris for a moment and contributes a searing anti-Trump screed; Baxter Dury, who brings an irresistible East London touch to `Switches ́ a kind of fan fic that reimagines the Beatles’ Sargent Pepper lounging pensive in a club chair; Israeli electronic music muse Noga Erez, who inspired `Waves ́ which, despite being recorded remotely, betrays a euphoric partnership; and finally, Kazu Makino, Blonde Redhead’s bewitching singer and multi-instrumentalist, who contributes to the album’s closer, the gauzy “Down for the Cause.”\u003cbr\u003e\u003cbr\u003eIt’s legal (and encouraged) to loiter around Mirapolis, taking in its sights and genealogy – attributes that the city displays and shares proudly. Rone remains a producer of grand instrumental pieces, which cannot be easily categorized in the architectural canon of our electronic music galaxy. Hypnotic, cinematic opening track `I Philip ́ is an offshoot from the score for the first French virtual reality fiction, built around Philip K Dick – the perfect gate into a city that then opens up a myriad of temporal perspectives.\u003cbr\u003e\u003cbr\u003eThen comes `Lou ́ a full Technicolor projection originally presented in collaboration with Bryce Dessner during the September 2016 concert at the Funkhaus. The magic is reproduced here, through the combination of a Basque choir, the sound of daughter Alice crying wolf and John Stanier’s (of Battles) martial drumming. All of Rone is present in this fusion between the intimate, the imagination and creative labour.\u003cbr\u003e\u003cbr\u003e`Spank ́ is a track best enjoyed staring out into the ocean, with a knot in your stomach, while `Origami ́ represents Rone’s sensitive, romantic touch in its most essential expression – that way music can prompt us to raise the roof, while wiping away a tear of melancholy, immersing us in the same progressive sensuality as the now-cult Rone tracks `Bye Bye Macadam ́, `So So So ́ and `Parade ́ among other hymns that reassure us that thinking and dancing can be one and the same. `Brest ́ deploys a noisy lyricism that once again harkens back to the Philharmonie concert, while interlude `Zapoï ́ is an outgrowth from the production of `Everything ́. The title track `Mirapolis ́ sings the gospel of the Fun Fair’s luminous psychedelia, reminding listeners of their where they came from and why it’s perfectly reasonable to dance.\u003cbr\u003e\u003cbr\u003eAnd thus we snorkel through Mirapolis’ musical depths. A city that generates constant wonderment, a desire for emancipation, a gathering of citizens connected to the collective’s vital energy. Yet, Rone is blissfully unaware of this – he is a therapeutic philosopher\/musician, who seeks to give form to what is so near, so immediate, and so intimately linked to our selves, which this album embodies in full cinematic splendour.\u003cbr\u003e\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":40180900462677,"sku":"IF1044LP","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/1579599695MIRAPOLIS_a14ea0f2-27b1-4c9e-b543-e7c73c97ee07.jpg?v=1772183665"},{"product_id":"mirapolis-remixes-1","title":"Mirapolis Remixes","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe flamboyant and off-kilter title track from Rone's latest album, \"Mirapolis\" is one of the last solo tracks that the producer composed in the spring of 2017: \"it's one of the rare tracks on the album for which I thought about the live performance. While putting the final touches to it in the studio, I imagined myself at festivals via memories of previous tours. I wanted to record a festive track, which completely stands by its ‘funfair’ vibe.” With this new four-track EP (including three remixes), combined with a new video by Aurélie Castex, Rone extends the carnival of electronic cultures of his latest musical citadel to the dancefloor – and our screens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklisting\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1 - \u003c\/span\u003eMirapolis (Johannes Brecht Remix)\u003cbr\u003eA2 - Mirapolis (Matias Aguayo Remix)\u003c\/p\u003e\n\u003cp\u003eB1 - Mirapolis (Laurent Garnier Remix)\u003cbr\u003eB2 - Mirapolis (Video Edit)\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"12inch","offer_id":40180900429909,"sku":"iF2072","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Mirapolis_Remixes_Mockup_9940d355-bc52-4e1f-953a-e9fee6a22dc1.jpg?v=1712841135"},{"product_id":"mirapolis-poster","title":"Mirapolis - Poster","description":"\u003cp\u003eRone - Mirapolis Poster\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"NC","offer_id":40167872790613,"sku":"IF1044-PST","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/1582190396Mirapolis_Poster.jpg?v=1582190448"},{"product_id":"inland","title":"Inland","description":"\u003cp\u003eOnes enters Inland as if exploring an inner landscape, roaming freely through a gently throbbing natural world, in which each note is a step and every sound forms a path. The piano transports the listener to an island; in the middle of the clouds, in a twilight forest, a white desert, along winding or convulsing rivers, on the skull of a Fauvist mountain, in chaotic and fragile glass cities.\u003cbr\u003e\u003cbr\u003eThe title of this new album by Vanessa Wagner refers to John Cage's Imaginary Landscape (1939), one of the first works to use electronic devices. After all, when Cage wrote his manifesto The Future of Music in the late 1930s, he already knew that the merging of written and electronic music would bear exquisite fruits.\u003cbr\u003e\u003cbr\u003eThe album is the lone protuberance from 2016 album Statea, on which Wagner, alongside producer Murcof (she on the piano, him manning the machines), reinterpreted pieces from the fathers of minimalism: Arvo Pärt, Philip Glass, Morton Feldman, Erik Satie, or John Cage.\u003cbr\u003e\u003cbr\u003eThe same secret conversation between the artist, the piano, and contemporary music is now continuing on Inland. Making more with less, the album turns long harmonies into multicolored prisms, miniature detailed embroidery, sighs and breaths, syncopated or restrained chants. In this brave new world, sounds exist for themselves, and silence comes to life. While the repertoire remains in the minimalistic vein, it gives priority to living composers, of which almost all are still active.\u003cbr\u003e\u003cbr\u003eThe repertoire’s cartography has been extended: its (male or female) composers can be American, of course, but also French, Belgian, German or Latvian.\u003cbr\u003eThe choice of works and their sequencing was dreamed up as a sort of storytelling. Between familiar melodies and unknown rarities, the pianist dug deep to find previously unreleased pieces.\u003cbr\u003e\u003cbr\u003eWithin the cornucopia of Wagner's career, Inland stands as a hitherto unknown intimate and dream-like space. The album is both the fruit of her maturity and a new temporality that she is now exploring – a secret conversation between her spirituality and the deep connection she maintains with nature, the elements, and living matter.\u003cbr\u003e\u003cbr\u003eThe Inland journey begins with the vision of iconoclastic Moondog, who claudicates over a modest ritornello, and continues with French composer Emilie Levienaise-Farrouch's Louella, like a volatile caress. On the way, we come across familiar figures like Philip Glass, and rediscover Michael Nyman's The Heart Asks Pleasure First, as\u003cbr\u003eWagner's fingers transfigure the cult piece, rendering it with delicate sensuality.\u003cbr\u003e\u003cbr\u003eAt the origin of the source, German composer Han Otte plays entrancing magic tricks with the fluids that spring henceforth; on the horizon, the inescapable Meredith Monk draws us into his hypnotic circles; elsewhere, Bryce Dessner is takes us on an odyssey; a dream filled with characters who guide us to boundless territories, and\u003cbr\u003eWilliam Susman breaks down boundaries under the harmonic mists and mute rhythms of Quiet Rhythms.\u003cbr\u003e\u003cbr\u003eAt the end of our travels, we find a blank canvas of quiet nature, a clearing in which Latvian composer Peteris Vasks invites us to listen to the suspended silences.\u003cbr\u003e\u003cbr\u003eWhen the album is over, the spirit of Inland continues to stir inside the listener's mind, in hazy reverie, clouds of nostalgia emanate from Vanessa Wagner's piano.\u003c\/p\u003e","brand":"BIGWAX DISTRIBUTION","offers":[{"title":"2LP","offer_id":40180898234453,"sku":"IF1050LP","price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/files\/inland.png?v=1708619951"},{"product_id":"indoors","title":"Indoors - CD","description":"\u003cp\u003eInFiné as a label has always had an extra sharp eye on electronic piano music. As a genre, it leaves a free-range to explorations and experimentations that represent our society in different perspectives. What makes experimentations hard is the ability to set the creative path free from the bargain to undertake some specific approaches or to tick some conventional boxes. But the new upcoming InFiné electronic piano talent, Mischa Blanos, evades any strict definitions, blending in his unique way different music genres, determining his approach to experimentation with its own rules and notes.\u003c\/p\u003e\n\u003cp\u003eWe discovered Mischa in March 2016 through a video recorded during a live show in Berlin. Huddled on a straight piano, this young man had a groove with a special Slavic flavour. Due to his background in Russian classical piano school was easy to admire his abilities and skills, but his creative electronic side was what stroke to our attention and therefore also the decision to have his first release on InFiné in 2018 with \"Second Nature”. Blanos was not new to electronic music due to his music project Amorf, in collaboration with Cristi Cons and Vlad Caia. A trio that has pushed constantly the definition of experimentations in the Romanian music landscape, leaving the audiences enchanted by their synthesizers \"non-verbal communication\" and settling their release with an immediate sell-out.\u003c\/p\u003e\n\u003cp\u003eNow, Mischa Blanos returns to InFiné with a project called “Indoors” that has been conceived during the \"Piano Day\", on March 2019 in Paris. After spending half a day in a studio, a series of 3\/4 tracks developed naturally in a composition of new music of 35 minutes that will be released at the end of September. The 7 pieces of \"Indoors\" assert its difference far from the canons of the current piano stylistic clichés, in fact, the sensitivity is not feigned, the compositions oscillate with ease in stylistic registers varied enough to draw an extraordinary personality, with glimpses of jazz and unique groove. In his music, there are traces of Bugge Wesseltoft, Henrik Schwarz, Francesco Tristano, Vanessa Wagner, Murcof and Brandt Brauer Frick. But they are just traces, tiny sparkles because, in the end, his compositions are based purely through his eyes' perception of the world that he lives and that he narrates about through his notes.\u003c\/p\u003e\n\u003cp\u003e\"Indoors\", despite the title, is an album to listen outdoors because it embraces all our visceral feelings that life pushes us towards to. In every track, different layers of melodies embark us on journeys that define the rhythm of a day of each one of us. From sunrise to sunset, every second, every moment, every fraction in Mischa Blanos'\u003cbr\u003emusic finds an answer or a beat that can describe it. Exploring our scattered and frenetic era is a tough task, but yet, even though his young age, Mischa finds himself comfortable in directing us in this hectic composition that is life. \"Chatting In 21st Century\", based on Bach, questions our ability to connect without words but with images and icons. \"Am Wired\" tries to pierce the bubble of glass behind our phones and their cameras, in which we hide in a vertiginous abyss. \"Habits\" is a melancholic ballad of all the regrets and the \"what if\" that we left behind us.\u003c\/p\u003e\n\u003cp\u003eBut as in 24 hours, there is light and there is darkness, \"Indoors\", in the same way, also reminds us of our humanity and its tender beautiful fragility as in the after-love of \"Two Sugar Cubes\" or in the melodic piano \"Forebondings\", both tracks that leave us with a sense of peaceful restored faith and desire to experience life. A desire that drags us until the last bits of a sunrise either in solitude as in \"Pillow Talk\" or in a party on Hamburg rooftops’ as in \"Hammock On The Roof\".\u003c\/p\u003e\n\u003cp\u003eMischa has lived all his music. It's impossible not to viscerally feel it.\u003cbr\u003eFinding ourselves in it, it's easy. You just have to live for a day.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist :\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e1. Chatting In 21st Century \u003cbr\u003e2. Two Sugar Cubes \u003cbr\u003e3. Forebondings \u003cbr\u003e4. Pillow Talk \u003cbr\u003e5. Hammock On The Roof \u003cbr\u003e6. Am Wired \u003cbr\u003e7. 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Each artist offers their interpretation of the issues raised in the album, spreading this message of hope to their community like missionaries. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e :\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eA1 - Babel (Maceo Plex Remix) \u003cbr data-mce-fragment=\"1\"\u003eA2 - Ginkgo Biloba (Loraine James Remix) \u003cbr data-mce-fragment=\"1\"\u003eA3 - Room With A View (Plaid Remix) \u003cbr data-mce-fragment=\"1\"\u003eA4 - Nouveau Monde (Mathew Jonson Remix) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eB1 - Nouveau Monde (Ulrich Schnauss Remix) \u003cbr data-mce-fragment=\"1\"\u003eB2 - Room With A View (Kmru Remix) \u003cbr data-mce-fragment=\"1\"\u003eB3 - Esperanza (Dj Lostboi I Could Live in Hope Remix) \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"12inch","offer_id":40180877754453,"sku":"iF2079","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/ViewsOfARoom-Mockup.png?v=1712841305"},{"product_id":"rone-and-friends","title":"Rone \u0026 Friends","description":"\u003cp\u003eIn spring 2020, after the cold shower of confinement and the premature end of performances of the “Room With A View” show at the Théâtre du Châtelet, Rone found himself in an unprecedented situation. 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Throughout his career, the French director has been able to surprise his audience by playing on the codes of \"genre films\", while remaining faithful to the aesthetics of \"art film\". His cinema is both profound and entertaining, sophisticated and accessible, dark and dreamlike.\u003cbr\u003e\u003cbr\u003e“Jacques’ cinema is physical, sensual, modern”, Rone says about the director, ”when he asked me to do the music for Paris, 13th District , I immediately accepted, without seeing any images or reading the script. He is simply one of the greatest contemporary filmmakers.”\u003cbr\u003e\u003cbr\u003eHis new feature film deals with youth in general and their sexuality in particular in a way no one may have done before. 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Between the releases of \"Rone \u0026amp; Friends\" and his remixes for Agnes Obel, Go Go Penguin and Jehnny Beth (who also plays a role in the film), the producer decided to lock himself away in in his brand new Isola Studio in Cancale, French Brittany. He also invested in a large screen on which he projected loops of the film and started manipulating his gear. \"I had Miles Davis in mind and the way he composed \"Ascenseur pour l'échafaud” by improvising with his band while watching excerpts from the film.” \u003cbr\u003e\u003cbr\u003eAfter a first conclusive test on three scenes of the film which allowed Rone to showcase the skills he had developed in composition in various musical fields, a relationship of trust developed between the musician and the director, which resulted in over 45 minutes of Rone’s music used for the final cut. “There was a lot of music to be made in a short time, but the talks with Jacques were very stimulating. He had a fairly precise idea of what he wanted, while at the same time, I think, having the desire to be surprised, or even a little shaken up.” \u003cbr\u003e\u003cbr\u003eIf the black and white aesthetic recalls the great hours of the \"Nouvelle Vague\", Rone ́s music gives a new layer to the film which fits resolutely with 2020’s zeitgeist. The sequencing of the album follows the exact narrative of the movie. \u003cbr\u003e\u003cbr\u003e“Opening” reveals in 3 minutes the width of the emotional spectrum deployed all over the film ranging from the most soothed waves of the introduction to the powerful outburst of raw analogue notes in the conclusion. The hypnotic mood of club music is echoed on “MDMA” and “Emilie Dance”, both of which emphasize the body dynamics of the film. Alternatively, miniature pieces of ambient music are woven into the film like tapestries of cerebral sounds. \"One Month Later\", on the other hand, makes no compromises. 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On the way, we come across familiar figures like Philip Glass, and rediscover Michael Nyman's The Heart Asks Pleasure First, as\u003cbr\u003eWagner's fingers transfigure the cult piece, rendering it with delicate sensuality.\u003cbr\u003e\u003cbr\u003eAt the origin of the source, German composer Han Otte plays entrancing magic tricks with the fluids that spring henceforth; on the horizon, the inescapable Meredith Monk draws us into his hypnotic circles; elsewhere, Bryce Dessner is takes us on an odyssey; a dream filled with characters who guide us to boundless territories, and\u003cbr\u003eWilliam Susman breaks down boundaries under the harmonic mists and mute rhythms of Quiet Rhythms.\u003cbr\u003e\u003cbr\u003eAt the end of our travels, we find a blank canvas of quiet nature, a clearing in which Latvian composer Peteris Vasks invites us to listen to the suspended silences.\u003cbr\u003e\u003cbr\u003eWhen the album is over, the spirit of Inland continues to stir inside the listener's mind, in hazy reverie, clouds of nostalgia emanate from Vanessa Wagner's piano.\u003c\/p\u003e","brand":"BIGWAX DISTRIBUTION","offers":[{"title":"CD","offer_id":40180846854229,"sku":"IF1050CD","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/files\/inlandCD.png?v=1708619970"},{"product_id":"creatures-cd","title":"Creatures - CD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe return of Rone with a brand new LP for 2015, following on from the Apache EP on InFiné Music in 2014. 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Rone has called on a diverse range of contributors, including Bryce Dessner of The National, Japanese avant-garde trumpeter Toshinori Kondo and French singer\/songwriter Etienne Daho.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"CD","offer_id":40180843675733,"sku":"IF1031CD","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Creatures_CD_a4b55044-f080-4f67-8046-e12560eeddc1.jpg?v=1712840560"},{"product_id":"les-olympiades-cd","title":"Les Olympiades - CD","description":"\u003cp\u003eSixteen musical vignettes of electrifying emotion at the crossroads of ambient, modern synthesizer productions and organic orchestral music experimentation, which tint French director Jacques Audiard's new feature film with the illuminated glow of a whole new generation. \u003cbr\u003e\u003cbr\u003eWhen Jacques Audiard contacted him, Rone was just a few weeks away from receiving the Cesar award for best film score for his very first soundtrack \"Night Ride\", the highest honor in French film for a composer. Throughout his career, the French director has been able to surprise his audience by playing on the codes of \"genre films\", while remaining faithful to the aesthetics of \"art film\". His cinema is both profound and entertaining, sophisticated and accessible, dark and dreamlike.\u003cbr\u003e\u003cbr\u003e“Jacques’ cinema is physical, sensual, modern”, Rone says about the director, ”when he asked me to do the music for Paris, 13th District , I immediately accepted, without seeing any images or reading the script. He is simply one of the greatest contemporary filmmakers.”\u003cbr\u003e\u003cbr\u003eHis new feature film deals with youth in general and their sexuality in particular in a way no one may have done before. The story is based on four young characters and their existential questionings, whose destinies intertwined against the backdrop of the Parisian “Olympiades” high rises in the 13th arrondissement. \u003cbr\u003e\u003cbr\u003eBut time was already running out, as the film was set to be nominated for Cannes’ Palm D’or at the rescheduled edition of the festival in July 2021. Between the releases of \"Rone \u0026amp; Friends\" and his remixes for Agnes Obel, Go Go Penguin and Jehnny Beth (who also plays a role in the film), the producer decided to lock himself away in in his brand new Isola Studio in Cancale, French Brittany. He also invested in a large screen on which he projected loops of the film and started manipulating his gear. \"I had Miles Davis in mind and the way he composed \"Ascenseur pour l'échafaud” by improvising with his band while watching excerpts from the film.” \u003cbr\u003e\u003cbr\u003eAfter a first conclusive test on three scenes of the film which allowed Rone to showcase the skills he had developed in composition in various musical fields, a relationship of trust developed between the musician and the director, which resulted in over 45 minutes of Rone’s music used for the final cut. “There was a lot of music to be made in a short time, but the talks with Jacques were very stimulating. He had a fairly precise idea of what he wanted, while at the same time, I think, having the desire to be surprised, or even a little shaken up.” \u003cbr\u003e\u003cbr\u003eIf the black and white aesthetic recalls the great hours of the \"Nouvelle Vague\", Rone ́s music gives a new layer to the film which fits resolutely with 2020’s zeitgeist. The sequencing of the album follows the exact narrative of the movie. \u003cbr\u003e\u003cbr\u003e“Opening” reveals in 3 minutes the width of the emotional spectrum deployed all over the film ranging from the most soothed waves of the introduction to the powerful outburst of raw analogue notes in the conclusion. The hypnotic mood of club music is echoed on “MDMA” and “Emilie Dance”, both of which emphasize the body dynamics of the film. Alternatively, miniature pieces of ambient music are woven into the film like tapestries of cerebral sounds. \"One Month Later\", on the other hand, makes no compromises. The track openly bears Rone's sonic backbone known from his albums. \u003cbr\u003e\u003cbr\u003eThe work on the long travelling scene at the end of the film on “Nora \u0026amp; Amber”, inspired by the theme of the opening piece, abandons the drum machines to breathe in an immersive and almost orchestral depth that left audiences speechless. \u003cbr\u003e\u003cbr\u003eThis second soundtrack by Rone is a sonic urban adventure in itself. As it is used in the film, colouring in the lives of Audiard’s protagonists, it will have the same impact on us, the listeners, in our own everyday lives.\u003cbr\u003e\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"CD","offer_id":40180843642965,"sku":"iF1068CD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/files\/olympiade-CD.png?v=1717144677"},{"product_id":"mirapolis-cd","title":"Mirapolis - CD","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eStepping into Rone’s music is like sleepwalking through a vividly colourful dream, eventually stumbling across a strange, scintillating Megapolis of saturated light and colours: Mirapolis. Its twelve tracks\/districts, each with their own specific planning, pulsate as though animated by their musical mastermind.\u003cbr\u003e\u003cbr\u003eIts streets are built atop twelve beaches battered by a moody sea, where Rone’s reveries come to foam away. That very sea was the backdrop running through the first phases of the album’s development: a first act in which we find a solitary Rone, who set out to stalk his muse through a series of beachside hotels. The musician takes on his internal meanders, with just his trusty computer, and the blessedness of surrendering to a type of ennui, a languorous state that he knew to bear fruit, as first album `Spanish Breakfast ́ (which was produced in part in a tiny attic studio perched above the roofs of Paris) bore witness.\u003cbr\u003e\u003cbr\u003eAs the tracks took shape, it was back to his Montreuil studio – his cathedral of sound and pleasure, built as a temple of collaboration with peers, and to the expression of his machines. Live performances come in tow, with the nourishment of the audience, backstage experimentation, and two major events: the collaborative project between 80 artists, led by the Dessner brothers, Bon Iver and Vincent Moon over the course of 48 hours at Berlin’s Funkhaus, and the perfect communion between himself, his friends, and a 4000-strong audience at the Philharmonie de Paris in January 2017.\u003cbr\u003e\u003cbr\u003eRemaining oneself, yet seeking constant reinvention: `Mirapolis ́ the codename for the project, was the germ for the subsequent unshackling of the imagination. That of little Erwan, coming across the Mirapolis amusement park from the car’s back seat on the way to family vacation, becoming entranced by the welcoming grin of a giant at the gate. Erwan never experienced the park itself, but the memory remained, just like his\u003cbr\u003epassion for the film Metropolis, and his dream to finally meet Michel Gondry, who wielded his magic wand over the album’s cover. A hand of three aces: childhood, Fritz Lang, and Gondry, which is completed by French science fiction writer Alain Damasio – an epistolary big brother, the Philharmonie’s Orator and chief architect of utopic cities in his iconic novel `La Zone du dehors ́.\u003cbr\u003e\u003cbr\u003eThe project was an opportunity to get reacquainted with long-time stage and studio partners John Stanier, Gaspar Claus and the Vacarme band, and Bryce Dessner (guitarist for The National,) while bringing in new collaborators (and thus, new interpretation of Rone’s dreams). We find American slam-poet Saul Williams, who\u003cbr\u003ehappened to be in Paris for a moment and contributes a searing anti-Trump screed; Baxter Dury, who brings an irresistible East London touch to `Switches ́ a kind of fan fic that reimagines the Beatles’ Sargent Pepper lounging pensive in a club chair; Israeli electronic music muse Noga Erez, who inspired `Waves ́ which, despite being recorded remotely, betrays a euphoric partnership; and finally, Kazu Makino, Blonde Redhead’s bewitching singer and multi-instrumentalist, who contributes to the album’s closer, the gauzy “Down for the Cause.”\u003cbr\u003e\u003cbr\u003eIt’s legal (and encouraged) to loiter around Mirapolis, taking in its sights and genealogy – attributes that the city displays and shares proudly. Rone remains a producer of grand instrumental pieces, which cannot be easily categorized in the architectural canon of our electronic music galaxy. Hypnotic, cinematic opening track `I Philip ́ is an offshoot from the score for the first French virtual reality fiction, built around Philip K Dick – the perfect gate into a city that then opens up a myriad of temporal perspectives.\u003cbr\u003e\u003cbr\u003eThen comes `Lou ́ a full Technicolor projection originally presented in collaboration with Bryce Dessner during the September 2016 concert at the Funkhaus. The magic is reproduced here, through the combination of a Basque choir, the sound of daughter Alice crying wolf and John Stanier’s (of Battles) martial drumming. All of Rone is present in this fusion between the intimate, the imagination and creative labour.\u003cbr\u003e\u003cbr\u003e`Spank ́ is a track best enjoyed staring out into the ocean, with a knot in your stomach, while `Origami ́ represents Rone’s sensitive, romantic touch in its most essential expression – that way music can prompt us to raise the roof, while wiping away a tear of melancholy, immersing us in the same progressive sensuality as the now-cult Rone tracks `Bye Bye Macadam ́, `So So So ́ and `Parade ́ among other hymns that reassure us that thinking and dancing can be one and the same. `Brest ́ deploys a noisy lyricism that once again harkens back to the Philharmonie concert, while interlude `Zapoï ́ is an outgrowth from the production of `Everything ́. The title track `Mirapolis ́ sings the gospel of the Fun Fair’s luminous psychedelia, reminding listeners of their where they came from and why it’s perfectly reasonable to dance.\u003cbr\u003e\u003cbr\u003eAnd thus we snorkel through Mirapolis’ musical depths. A city that generates constant wonderment, a desire for emancipation, a gathering of citizens connected to the collective’s vital energy. Yet, Rone is blissfully unaware of this – he is a therapeutic philosopher\/musician, who seeks to give form to what is so near, so immediate, and so intimately linked to our selves, which this album embodies in full cinematic splendour.\u003cbr\u003e\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"CD","offer_id":40180843511893,"sku":"IF1044CD","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/1579599695MIRAPOLIS_481de371-292a-493e-9aad-980399abc84a.jpg?v=1712841040"},{"product_id":"rone-friends-cd","title":"Rone \u0026 Friends - CD","description":"\u003cp\u003eIn spring 2020, after the cold shower of confinement and the premature end of performances of the “Room With A View” show at the Théâtre du Châtelet, Rone found himself in an unprecedented situation. Eternal creative, he boils: \"This strange period of confinement where everyone is separate, isolated, made me want, more than ever, to collaborate, to exchange and finally to make a \"collective\" record, which federates, unites\".\u003c\/p\u003e\n\u003cp\u003eProject was born by exchanging with his friends. The first models naturally emerge and the idea of an album of sung collaborations begins to gain ground. The creative proximity to the French and international pop scene has always been present in the world of the musician with round glasses. 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The album was produced alongside a live show commissioned by the Théâtre du Châtelet in Paris and developed together with choreography collective (LA) HORDE and 20 dancers of the Ballet National de Marseille. This new kind of collaborative approach allowed Rone to produce his most sincere and far-reaching music in some time. 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The album was produced alongside a live show commissioned by the Théâtre du Châtelet in Paris and developed together with choreography collective (LA) HORDE and 20 dancers of the Ballet National de Marseille. This new kind of collaborative approach allowed Rone to produce his most sincere and far-reaching music in some time. Inspired by discussions of collapsologie and climate change, \"Room With A View\" offers food for thought on how to deal with one of the most pressing issues of humanity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklisting\u003c\/span\u003e :\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e1. Lucid Dream \u003cbr\u003e2. La Marbrerie\u003cbr\u003e3. Sophora Japonica \u003cbr\u003e4. Ginkgo Biloba \u003cbr\u003e5. New World \u003cbr\u003e6. Room With A View\u003cbr\u003e7. The Golden Toad\u003cbr\u003e8. Liminal Space\u003cbr\u003e9. Human \u003cbr\u003e10. Babel \u003cbr\u003e11. 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Refusing to calibrate his micro-house rhythms for the Berghain dancefloor, Castex works more panoramic arrangements in to this ambitious, opulent-sounding album, 'Tohu Bohu'.\u003cbr\u003eThe album adopts its own charm by invitation of High Priest from Anti-Pop Consortium to feature on 'Let's Go', navigating between the crystalline, electronic mood of 'Lilli... Wood' and the brooding techno of 'Fugu Kiss'. Elsewhere, the hypnotic glaze of 'Parade' and the ardent ambience of 'La Grande Ourse' provide other highlights on this accomplished body of work.\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"CD","offer_id":40180842561621,"sku":"IF1020CD","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Tohu_Bohu_CD_7ca8458e-9cc5-4216-973e-a9710d11872e.jpg?v=1712841277"},{"product_id":"in-bach-cd","title":"In Bach - CD","description":"\u003cp\u003eBach\/Mendelssohn, Bach\/Liszt, Bach\/Busoni, Play Bach and now ‘InBach’ - the latest in a long line of reinterpretations and explorations of the German composer’s compositions.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArandel's new opus, ‘InBach’, released 24th January 2020 by French label InFiné, pays a poetic, infinitely respectful and innovative homage to Bach’s sacred workings. Born out of a proposal by the Musée de la Musique, Paris to create an original 30-minute\u003cbr\u003eperformance as part of the 30th Nuit Blanche Festival in 2017, the aim was to highlight the rich collection of recordings produced by the Musée and to surround and illuminate the extraordinary but often hibernating instruments housed in the museum with vivid, contemporary music.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA few months later, Arandel participated in the ‘Bach Marathon’ at the Cite de la Musique Hall, Paris with his hybrid live performance\/DJ set ‘Switched on Bach’, named in acknowledgement to the legendary 1968 Grammy Award winning album by American composer Wendy Carlos (Tron, A Clockwork Orange, The Shining). In an era, rife with revolution, Carlos' album had introduced the world to Bach's pieces, down to every last note, interpreted exclusively on the Moog synthesizer. A source of inspiration for Arandel who, reinterpreted, revisited, remixed, recomposed, and rearranged the master's pieces. A suggestion that shows that, had he been alive in the 20th century, Bach would have likely composed for synthesizers, perhaps even championing the Moog.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom candles to LEDs, from DJ sets to museums, from historical instruments to machines, from Bach's themes that have entered the collective unconscious and inspired contemporary flesh and blood musicians... ‘InBach’ was a foregone  conclusion.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThere is an obvious offbeat and idiosyncratic feel to the record which recalls salon culture from the Renaissance and the French musical tradition of the chanson. From the rhythmic elevations of ‘Passacaglia’ (based on Passacaglia in C minor, BWV 582) to the symphonic progressions and choral workings of ‘Aux Vaisseaux’ (based on 14 Canons On the Goldberg Ground, BWV 1087) and electronic weirdness of the Air-like ‘Hysope’ (based on Erbarm’ Dich Main, O Herre Gott, BWV 721), ’InBach’ pays a powerful tribute to Bach’s work and imagination, celebrating a tutelary figure of music’s heritage, both old and new.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album was recorded in large part with the extraordinary instruments from the Musée’s collection: viola da gamba, Erard square piano, clavichord, ondioline, Zach’s cello, Müller's expressive organ, Stroh violins... rare, sometimes bizarre instruments of which even Bach didn't know the existence – not to mention the plethora of Korg Minilogue, Korg Monotron or Moog Slim Phatty that complete the pandora's box.\u003cbr\u003eArandel released his debut album ‘In D’ in 2010, and is considered by many to be an experimental classic. Loved by music collectors, DJs, and sample diggers alike, the release was a nod to the American composer and musician Terry Riley and received critical acclaim from the likes of The Wire, XLR8R, The Line of Best Fit and Finders Keepers’, Andy Votel. Four more studio albums followed; ‘Solarispellis’ (2014), ‘Umbrapellis’ (2015), ‘Extrapellis’ (2016) and ‘Aleae’ (2017) and Arandel also received blog success with his 2016 ‘Electronic Ladyland’ mixtape which focused on pioneers in electronic music and featured Suzanne Ciani and Wendy Carlos.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNot content wandering through an Ali Baba's Cave of musical treasures, Arandel has invited artists from different universes and backgrounds to join him in his exploration. Guests who each bring their extreme musicality, sensibility\/sensitivity, and faith in the\u003cbr\u003eproject include classic pianist Vanessa Wagner, DJ and composer Flore, classical soloist Thomas Bloch, singer\/songwriter Barbara Carlotti, cellist Gaspar Claus, guitarist Sébastien Martel, singer, comedian and composer Areski, pianist Wilhem Latchoumia, Ben Shemie - singer and guitarist of Montreal alt-rock unit Suuns, singer Petra Haden and folk singer and harpist Emmanuelle Parrenin.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the immensity of Bach's oeuvre, in the company of his fellow wanderers, within the constraints of historical instruments, emboldened by the delightful, sometimes technically dangerous friction between acoustics and electronics: Without a net, Arandel walks a tightrope without a faux pas.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist :\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003eA1\/1. 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Tancade, est donc son premier album solo. Entièrement (ou presque) instrumental, « Tancade » contient au total onze morceaux. La plupart proviennent des sessions réalisées entre 2017 et 2021. Résultant d’une élaboration lente et minutieuse, parfois douloureuse, l’ensemble – de haute intensité – s’écoule pourtant avec une remarquable fluidité.","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":40473377669205,"sku":"IF1065LPSTD","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Gaspar_Claus_Tancade_IF1065_3400px.jpg?v=1770738533"},{"product_id":"scaphandre","title":"Scaphandre","description":"Après le fabuleux “Tancade”, Gaspar Claus nous revient avec un disque beaucoup plus expérimental composé de 2 titres de plus de 10 minutes. Une immersion dans les profondeurs, un fil tendu entre la surface et les abysses.","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":40492315705429,"sku":"IF2082LP","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/G_Claus_Scaphandre_Digital_Cover_3400px.jpg?v=1674569431"},{"product_id":"looping","title":"L(OO)PING","description":"\u003cp\u003eL(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. When the Philarmonie de Paris asked Rone to perform with an orchestra in 2017, the electro musician first declined the idea, preferring instead to give a special concert with guests such as François Marry de Frànçois,\u003cbr\u003eThe Atlas Mountains, and Battles drummer John Stanier. Going on stage with an orchestra by your side? The proposal was attractive, but the French artist did not feel ready yet. He dreamt of hearing his music, created first in the privacy of his home studio being carried by an orchestra, but the configuration still seemed too intimidating to him. “I am a self-taught do-it-yourselfer, I feel a real inferiority complex in relation to scholarly music. As with the original film soundtracks, the right elements had to be put in place, like meeting Romain Allender.\u003cbr\u003e\u003cbr\u003eHe really made the bridge between this world of the orchestra and mine”. Romain Allender is a composer, arranger, and assistant to Alexandre Desplat for many film scores (Grand Budapest Hotel by Wes Anderson, The Shape of Water by Guillermo del Toro, etc.). He knows how to write for orchestra and, not insignificantly, he already appreciates Rone’s music in which he precisely detects a «sound texture close to that of an orchestra». Motion, their first collaboration, sealed their friendship and showed that, while coming from different backgrounds, the two speak the same language,\u003cbr\u003eboth playful and experimental. Built upon just a few seconds of music composed by Rone and intended to score an advertisement, the arranger-orchestrator and the machine tweaker built a real symphony in three movements where electronics and acoustics dance together with fluidity and harmony. Depending on the sequences and an elegant balance, one artist takes precedence over the other or, on the contrary, fades away before returning to underline the melody or the emotion. \u003cbr\u003e\u003cbr\u003eRecorded with the Les Siècles orchestra conducted by François- Xavier Roth and the participation of pianist Vanessa Wagner, Motion was reassurance to Rone. So when he was asked to conceive a performance with the National Orchestra of Lyon, driven by the Motion experience, he happily accepted. He and Romain Allender then leafed through his repertoire in order to choose the pieces that would best lend themselves to a symphonic re-reading. \u003cbr\u003e\u003cbr\u003eEvidence emerges such as the inclusion in the repertoire of excerpts from Mirapolis the 2017 album, or Room With A View, the musical and\u003cbr\u003echoreographic work imagined by Rone with the collective (La) Horde for performances given in 2020 at the Théâtre du Chatelet with dancers from the Ballet national de Marseille. But Rone and Romain Allender don’t forget the fetish track Bora either, Rone’s first release on Infiné with the hard-hitting and inhabited speech of the writer Alain Damasio. “It remains a very important piece for me, confirms Rone, I play it all the time and it takes different forms each time”. Together, guided by their strong desires, they designed a journey, a narrative with its dark passages and other brighter\u003cbr\u003eones, grandiose flights and moments of intimacy. Thanks to programming software, Romain writes arrangements that avoid literal transposition, taking advantage of all the timbres offered by the orchestra. \u003cbr\u003e\u003cbr\u003eOn June 25 and 26, the L(oo)ping project was born in front of 2,000 people massed in the auditorium. “This fun title refers to acrobatic\u003cbr\u003eperformance, to the puzzling side, explains Rone. “I didn’t want to come across as taking myself too seriously.» Placed at the back near the percussion, Rone is accompanied by his label colleague, the Mexican producer Cubenx, and lives inside the interaction between conductor Dirk Brossé, the orchestra, and the public. At the end of the two performances, the standing ovations upset him. Hence the idea of returning with more confidence in L(oo)ping at the end of 2022 with two new shows at the Lyon auditorium. \u003cbr\u003e\u003cbr\u003eIn a natural way, Ghosts (composed for a new collaboration with (La) Horde), extracts from the soundtrack of Les Olympiades (the feature film by Jacques Audiard), and the theme of Xavier Giannoli’s next series for Canal +, Tikkoun, integrate a slightly retouched repertoire. To immortalize these evenings, a team of five sound engineers led by Alex Ewald arrange 122 microphones, and director Louise Narboni places cameras, actors, and dancers for a future film that will be much more than a recording. After some tweaking in post-production and painstaking work by Alix Ewald, here is L(oo)ping. Available in Dolby Atmos format to promote immersion\u003cbr\u003eand transport listeners to the place of the conductor, this live recording, full of relief and finesse, gives thanks to the feverish collective performances given by Rone, Romain Allender, Dirk Brossé, the National Lyon orchestra, and Cubenx. And as the adventure is decidedly beautiful, it will continue in June with two performances at the Philarmonie de Paris... \u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":46494620582213,"sku":"iF1085LP","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Rone_Looping_iF1085LP_Mockup_Square.jpg?v=1712840992"},{"product_id":"looping-cd","title":"L(OO)PING - CD","description":"\u003cp\u003eL(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. When the Philarmonie de Paris asked Rone to perform with an orchestra in 2017, the electro musician first declined the idea, preferring instead to give a special concert with guests such as François Marry de Frànçois,\u003cbr\u003eThe Atlas Mountains, and Battles drummer John Stanier. 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He knows how to write for orchestra and, not insignificantly, he already appreciates Rone’s music in which he precisely detects a «sound texture close to that of an orchestra». Motion, their first collaboration, sealed their friendship and showed that, while coming from different backgrounds, the two speak the same language,\u003cbr\u003eboth playful and experimental. Built upon just a few seconds of music composed by Rone and intended to score an advertisement, the arranger-orchestrator and the machine tweaker built a real symphony in three movements where electronics and acoustics dance together with fluidity and harmony. Depending on the sequences and an elegant balance, one artist takes precedence over the other or, on the contrary, fades away before returning to underline the melody or the emotion. \u003cbr\u003e\u003cbr\u003eRecorded with the Les Siècles orchestra conducted by François- Xavier Roth and the participation of pianist Vanessa Wagner, Motion was reassurance to Rone. So when he was asked to conceive a performance with the National Orchestra of Lyon, driven by the Motion experience, he happily accepted. He and Romain Allender then leafed through his repertoire in order to choose the pieces that would best lend themselves to a symphonic re-reading. \u003cbr\u003e\u003cbr\u003eEvidence emerges such as the inclusion in the repertoire of excerpts from Mirapolis the 2017 album, or Room With A View, the musical and\u003cbr\u003echoreographic work imagined by Rone with the collective (La) Horde for performances given in 2020 at the Théâtre du Chatelet with dancers from the Ballet national de Marseille. But Rone and Romain Allender don’t forget the fetish track Bora either, Rone’s first release on Infiné with the hard-hitting and inhabited speech of the writer Alain Damasio. “It remains a very important piece for me, confirms Rone, I play it all the time and it takes different forms each time”. Together, guided by their strong desires, they designed a journey, a narrative with its dark passages and other brighter\u003cbr\u003eones, grandiose flights and moments of intimacy. Thanks to programming software, Romain writes arrangements that avoid literal transposition, taking advantage of all the timbres offered by the orchestra. \u003cbr\u003e\u003cbr\u003eOn June 25 and 26, the L(oo)ping project was born in front of 2,000 people massed in the auditorium. “This fun title refers to acrobatic\u003cbr\u003eperformance, to the puzzling side, explains Rone. “I didn’t want to come across as taking myself too seriously.» Placed at the back near the percussion, Rone is accompanied by his label colleague, the Mexican producer Cubenx, and lives inside the interaction between conductor Dirk Brossé, the orchestra, and the public. At the end of the two performances, the standing ovations upset him. Hence the idea of returning with more confidence in L(oo)ping at the end of 2022 with two new shows at the Lyon auditorium. \u003cbr\u003e\u003cbr\u003eIn a natural way, Ghosts (composed for a new collaboration with (La) Horde), extracts from the soundtrack of Les Olympiades (the feature film by Jacques Audiard), and the theme of Xavier Giannoli’s next series for Canal +, Tikkoun, integrate a slightly retouched repertoire. To immortalize these evenings, a team of five sound engineers led by Alex Ewald arrange 122 microphones, and director Louise Narboni places cameras, actors, and dancers for a future film that will be much more than a recording. After some tweaking in post-production and painstaking work by Alix Ewald, here is L(oo)ping. Available in Dolby Atmos format to promote immersion\u003cbr\u003eand transport listeners to the place of the conductor, this live recording, full of relief and finesse, gives thanks to the feverish collective performances given by Rone, Romain Allender, Dirk Brossé, the National Lyon orchestra, and Cubenx. And as the adventure is decidedly beautiful, it will continue in June with two performances at the Philarmonie de Paris... \u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"CD","offer_id":46494622482757,"sku":"iF1085CD","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Rone_Looping_iF1085_Mockup_Square.jpg?v=1712840998"},{"product_id":"jbal-rrsas","title":"Jbal Rrsas","description":"\u003cp\u003eBuilding off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what Arabic club music. The album spans seven tracks of bass, techno, and experimental music all within the different frames that Arabic dance music can offer.\u003cbr\u003eJbal Rrsas opens with the seductively apocalyptic opener, The Key to the Exit, a twisted Egyptian mahraganat. Deena builds off a traditional drum beat, and warps the track into a deconstructed landscape, with lilting synths and familiar Arabic rhythms. This instrumental track offers a taste of the album, a reimagining and experimentation on Arabic post-club music.\u003cbr\u003eAll tracks composed, produced \u0026amp; mixed by Deena Abdelwahed\u003cbr\u003eAll lyrics written and performed by Deena Abdelwahed and recorded at Lobster Prod Studios in Tunis, Tunisia by Malek Bouzouita\u003cbr\u003eTracks arrangement advising by Khalil Hentati\u003cbr\u003eTuning and musicology advising by Khyam Allami\u003cbr\u003eJbal Rrsas جبل الرصاص was produced as part of the Consortium Commissions, an initiative by Mophradat مفردات\u003cbr\u003eMastered by Heba Kadry in Brooklyn-NYC (USA)\u003cbr\u003eA\u0026amp;R by Alexandre Cazac\u003cbr\u003eArtwork by Niculin Barandun\u003cbr\u003ePhotography by Yassine Meddeb Hamrouni\u003cbr\u003eLogotype design by Yacine Blaiech (aka Mogli)\u003cbr\u003eDesign by Motoplastic\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":46780849291589,"sku":"IF1084LP","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/files\/D_Abdelwahed_Jbal_Rrsas_iF1084LP_Digital_Cover_1.jpg?v=1686229528"},{"product_id":"jbal-rrsas-cd","title":"Jbal Rrsas - CD","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"qid_91\" class=\"jfAnswer jfSubmission-answer isTextarea\"\u003e\n\u003cdiv class=\"sc-jgrJph cWYwEd jfAnswer-container\"\u003e\n\u003cdiv class=\"sc-iNGGcK gKunnC jfAnswer-answer-wrapper\"\u003e\n\u003cdiv class=\"sc-FNXRL jqvLqI jfAnswer-answer\" data-text=\"Reply\"\u003eBuilding off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed’s upcoming album Jbal Rrsas is the next chapter of a reimagining of what Arabic club music. The album spans seven tracks of bass, techno, and experimental music all within the different frames that Arabic dance music can offer.\u003cbr\u003eJbal Rrsas opens with the seductively apocalyptic opener, The Key to the Exit, a twisted Egyptian mahraganat. Deena builds off a traditional drum beat, and warps the track into a deconstructed landscape, with lilting synths and familiar Arabic rhythms. This instrumental track offers a taste of the album, a reimagining and experimentation on Arabic post-club music.\u003cbr\u003eAll tracks composed, produced \u0026amp; mixed by Deena Abdelwahed\u003cbr\u003eAll lyrics written and performed by Deena Abdelwahed and recorded at Lobster Prod Studios in Tunis, Tunisia by Malek Bouzouita\u003cbr\u003eTracks arrangement advising by Khalil Hentati\u003cbr\u003eTuning and musicology advising by Khyam Allami\u003cbr\u003eJbal Rrsas جبل الرصاص was produced as part of the Consortium Commissions, an initiative by Mophradat مفردات\u003cbr\u003eMastered by Heba Kadry in Brooklyn-NYC (USA)\u003cbr\u003eA\u0026amp;R by Alexandre Cazac\u003cbr\u003eArtwork by Niculin Barandun\u003cbr\u003ePhotography by Yassine Meddeb Hamrouni\u003cbr\u003eLogotype design by Yacine Blaiech (aka Mogli)\u003cbr\u003eDesign by Motoplastic\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"INFINE MUSIC","offers":[{"title":"CD","offer_id":46780849324357,"sku":"IF1084CD","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/files\/D_Abdelwahed_Jbal_Rrsas_iF1084LP_Digital_Cover_1_063b5665-53e5-4aeb-b768-8b7091cb4db6.jpg?v=1686230083"},{"product_id":"madiba","title":"Madiba","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFollowing the successes of Akö (2015) and 1958 (2019), singer and composer Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBlick Bassy's albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores \"a theme shared by all” of water, the source of life. “It is a question here of showing a form of respect, of connecting with the living, of imagining through these titles a world in which we could live in coherence with our environment”.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. \"I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBeyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.\u003cbr\u003e\u003c\/p\u003e","brand":"INFINE MUSIC","offers":[{"title":"LP","offer_id":46780862398789,"sku":"iF1082LP","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/products\/Blick_Bassi_Madiba_iF1082LP_Mockup_Square_1.jpg?v=1712838922"},{"product_id":"eno-piano-cd","title":"Eno Piano - CD","description":"\u003cp\u003eAs Brian Eno famously said, \"The studio is a musical instrument,\" Bruce Brubaker now says, \"A musical instrument can be a studio.\"\u003cbr\u003eCan a single instrument convey ambient music originally made through studio techniques and tape loops? On November 10, 2023, InFiné will release American musician Bruce Brubaker's 12th studio album Eno Piano, including a selection of Brian Eno's iconic ambient music, including Music for Airports. Eno Piano is a companion to Bruce Brubaker's acclaimed album Glass Piano (2015) — even the two album covers are companions. Named by Pitchfork \"One of the most exciting pianists in the\u003cbr\u003econtemporary American classical scene,\" Brubaker, in Eno Piano, shows that just as the studio can be a musical instrument, a single musical instrument can be a studio.\u003cbr\u003eBrian Eno's music is a significant part of the repetition-based musical minimalism practiced by Philip Glass, Terry Riley, and others in the 20th century. In 1971, Philip Glass performed at the Royal College of Art in London. In the audience were two 23-year-olds: David Bowie and Brian Eno. Glass's music was a formative influence on Eno. Then later, Philip Glass wrote three symphonies based on the three albums of Eno and Bowie's Berlin Trilogy. Eno Piano acknowledges a deep artistic bond. Brian Eno defined the new genre of \"ambient music.\" Spending hours waiting for a flight at the Cologne-Bonn Airport, Eno became frustrated with the airport's uninspiring  atmosphere. At that moment, Eno conceived an album of music \"designed for airports\" In his original 1978 liner notes, he explained: \"Whereas conventional background music is produced by stripping away all sense of doubt and uncertainty (and thus all genuine interest) from the music, Ambient Music retains these qualities. And whereas their intention is to 'brighten' the environment by adding stimulus to it (thus supposedly alleviating the tedium of routine tasks and leveling out the natural ups and downs of the body rhythms) Ambient Music is intended to induce calm and a space to think. Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.\"\u003c\/p\u003e","brand":"BIGWAX DISTRIBUTION","offers":[{"title":"CD","offer_id":47153839407429,"sku":"iF1088CD","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0004\/4099\/1797\/files\/B_Brubaker_Eno_Piano_IF1088_Digital_Cover.jpg?v=1696338114"},{"product_id":"eno-piano","title":"Eno Piano","description":"\u003cp\u003eAs Brian Eno famously said, \"The studio is a musical instrument,\" Bruce Brubaker now says, \"A musical instrument can be a studio.\"\u003cbr\u003eCan a single instrument convey ambient music originally made through studio techniques and tape loops? On November 10, 2023, InFiné will release American musician Bruce Brubaker's 12th studio album Eno Piano, including a selection of Brian Eno's iconic ambient music, including Music for Airports. Eno Piano is a companion to Bruce Brubaker's acclaimed album Glass Piano (2015) — even the two album covers are companions. Named by Pitchfork \"One of the most exciting pianists in the\u003cbr\u003econtemporary American classical scene,\" Brubaker, in Eno Piano, shows that just as the studio can be a musical instrument, a single musical instrument can be a studio.\u003cbr\u003eBrian Eno's music is a significant part of the repetition-based musical minimalism practiced by Philip Glass, Terry Riley, and others in the 20th century. In 1971, Philip Glass performed at the Royal College of Art in London. In the audience were two 23-year-olds: David Bowie and Brian Eno. Glass's music was a formative influence on Eno. Then later, Philip Glass wrote three symphonies based on the three albums of Eno and Bowie's Berlin Trilogy. Eno Piano acknowledges a deep artistic bond. Brian Eno defined the new genre of \"ambient music.\" Spending hours waiting for a flight at the Cologne-Bonn Airport, Eno became frustrated with the airport's uninspiring  atmosphere. At that moment, Eno conceived an album of music \"designed for airports\" In his original 1978 liner notes, he explained: \"Whereas conventional background music is produced by stripping away all sense of doubt and uncertainty (and thus all genuine interest) from the music, Ambient Music retains these qualities. And whereas their intention is to 'brighten' the environment by adding stimulus to it (thus supposedly alleviating the tedium of routine tasks and leveling out the natural ups and downs of the body rhythms) Ambient Music is intended to induce calm and a space to think. 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